Critical Errors isn't the sort of review blog where you're going to get run-downs on all the latest offerings in movies, music, TV, food, products, what have you. Anyone who's surfed through this humble corner of the Internet at all would know that. How many reviews of the Ox-Bow Incident written post-1943 do you think are floating around the Interwebs? My guess is not many, and yet you'll find one on Critical Errors, proudly. However, I don't spend all my time only watching western morality plays from the war years. So, I figured I'd do a look back at--nearly--everything I watched in 2012 and would give either a brief two-cents take or a just a link to the review I already wrote for it just in case you had the mis(?)fortune of missing it the first time around. These are movies I either watched for the first time ever, or first time in a long time, presented in no particular order whatsoever.
Lincoln (2012 - Steven Spielberg) - As popular and successful as he has been for nearly 40 years, Spielberg gets flack from a lot of artsy cinefile types for being too populist and often pulling his punches in service of the happy, or at least happiest possible, ending. Among other things, these folks will concede his talents as a filmmaker capable of entertaining with the best, but lacking the bravery of a true artist. Now, my formal film education may only consist of a single community college course, but to those accusations I say, haters gonna hate. They don't come much braver than Lincoln. To make a movie about the passing of a piece of legislation, even concerning perhaps the most important piece of legislation in our nations history, in this case the 13th Amendment abolishing slavery, and with as compelling a historical figure as there may be, in this case Abraham Lincoln, and have not one minute of its 150 minute running time feel like history class, is a herculean task only a handful of directors could have pulled off. Lincoln is a masterpiece and Daniel Day-Lewis channels Honest Abe himself. Even though I have obviously never seen Lincoln walk or move or heard his voice, somehow DDL manages to perfectly capture what I always imagined he would move and sound like, based on whatever still images I have seen over the years. It's a virtuoso performance to add to DDL's ever growing list of virtuoso performances. The movie is chock full of other recognizable faces, like David Straighairn, Sally Field, Joseph Gordon-Levit and pretty much every character actor ever. Lincoln is a great movie, and to the haters that would say otherwise I have a message for you: shut up.
The Shootist (1976 - Don Siegal) - Great character piece starring John Wayne as a dying gunslinger. Read my full review here.
Army of Crime (L'armee du Crime - 2009 - Robert Guedeguian) - A French movie about the French resistance in Paris during WWII. Based on actual events, while a goodly portion of the French people and French police collaborated with the Nazi's, in many cases without much convincing needed, many of the French resistance groups were actually made up of immigrants; in this case foreign Jews, Spainards, Italians, and Armenians. The army of crime is a rag tag group of resistance fighters with little to no training, harassing and killing Nazi's in the streets of Paris, some questioning the morality of what they're doing, some enjoying it a little too much. A pretty interesting, and at times upsetting and at times uplifting, look at an often overlooked portion of history.
Four Christmases (2008 - Seth Gordon) - Don't think this one will be making the yearly Christmas movie rotation. Simple premise: couple Vince Vaughn and Reese Witherspoon attempt to spend Christmas day with all four of their divorced parents. Hijinx ensue. A scenario that should be ripe for comedy gold. The best this one achieves is bronze...plated. There's a few decent slapstick moments, especially with the pair visiting Vaughn's blue collar dad Robert Duvall and his idiot brothers, redneck Tim McGraw (irony!) and ultimate fighter wannabe Jon Favreau. There's also a pretty amusingly awkward sequence when they visit Vince's mom, Sissy Spacek, who happens to be dating Vince's ex-best friend. Pretty gross, but also kinda funny. The biggest problem is Vince Vaughn though. He just won't shut up! I guess that's what he does, but it gets seriously annoying. A far cry from his days scoping out the babies in LA diners.
And speaking of The Ox-Bow Incident (1943 - William Wellman) - here's my 102 word review of the western morality play starring Henry Fonda.
Stay tuned for Part Two of the Year in Reviews 2012: Movie Edition.
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